|JOSÉ & CARMEN. SHE WAS AMAZING.|
|THE PERFORMANCE WAS IN THE INTERIOR COURTYARD UNDER THAT GLOWING MOON.|
We met Margarita and Paco at a bar in the middle of the Gardens of the Buhaira (just a few minutes by taxi from our hotel; a 15-minute walk if it weren't 36 degrees — 97F — outside) at 9:45 for the 10:00 performance. When we arrived, Margarita said she was embarrassed to tell us that she suspected this may not be an opera, but rather a modern theatrical production of "Carmen." She was concerned that we would have to sit through an entire play in Spanish. But, we didn't care. It was our first live theater in Sevilla. And the setting was stunning. Besides, it was reassuring to know that even a native Sevillana can get things confused sometimes.
|JERRY, MARGARITA, AND PACO AFTER THE SHOW. CARMEN WAS TWICE DEAD.|
The Palace of La Buhaira was built outside the city of Sevilla in 1171 and the gardens were irrigated via an old Roman aqueduct. As Sevilla grew over the centuries the area became absorbed into the city, although it is not part of the ancient city center. I took a walk over this afternoon to explore the gardens and to get daylight pictures.
|THE PALACIO/THEATER THIS AFTERNOON.|
The play was, as my Aunt Rozzie would say, "interesting" (which sometimes means, "I'm not sure I understand but I'm not going to be closed-minded"). The production quality was excellent. The cast was very good. And we all agreed that the woman who played Carmen was phenomenal. She was so expressive that it wouldn't matter what language she performed in. We still would have "gotten it." I was able to understand entire sentences, but was not able to really follow the flow of dialog, which was obvious when I didn't always laugh in sync with the rest of the audience.
|A COOLING VIEW OF THE GARDENS TODAY. ANOTHER VERY HOT DAY IN SEVILLA.|
And there was one actor with an accent I could not fathom. It sounded to me like he was from Brooklyn (sorry my Brooklyn friends)... only in Spanish. Margarita explained to me afterward that he was from Córdoba. I guess it's the same thing. My college Italian teacher said people from New York, and especially Brooklyn, speak without using any of the muscles around their mouths. I think she might have said the same thing about people from Córdoba.
|THE ANCIENT AQUEDUCT.|
Unfortunately, the director did something I've seen before and could not appreciate (the first time was at a production of a Molière play at the Old Globe Theatre in San Diego). The setting in history changed as the play progressed. The story began where it was supposed to begin, in mid-19th century Sevilla. But as each scene progressed, the era changed. I thought it was odd at first when the costumes were inconsistent. But, I finally caught on when one of the characters, now wearing a contemporary business suit, used a cell phone prop.
|THE UNIVERSITY OF SEVILLA. THE TOBACCO FACTORY OF CARMEN FAME.|
In this production, Carmen and José begin the play with José stabbing and killing Carmen at the tobacco factory. They end the play with José stabbing and killing Carmen in a bullring. When José stabs and kills Carmen for the second time, there are actors in the background waving Sevilla flags while pre-recorded football game cheers play. We think this was to hearken back to when Sevilla beat Real Madrid in the 2007 Spanish Super Cup. Like I said, "interesting."
|ATOP THE MAIN ENTRANCE OF THE TOBACCO FACTORY/UNIVERSITY OF SEVILLA.|
Paco loved the performance. Jerry and I were happy to be out on the town and in such charming company. Margarita didn't much care for the lack of respect for the original "Carmen" (she, like I, just doesn't get that period-change concept). But it was a wonderful night out.